With eyes closed and hand resting on the table I took turns becoming aware of touch and hearing.Rest a hand on a table or flat surface . . . is there a 'you' or 'hand' or 'body' that is doing the touching.
Are there two clear parts to the experience 1) The 'I' that is touching and 2) The table that is being touched?
Further . . . without the 'idea' that it is a table . . . would you know a table was being touched?
Is there 'touching a table' or is there just a sensation alone?
In the case of touching there are the sensations of cold, smoothness, resistance etc. It is clear that there is an idea that there is a 'hand' touching a 'table'. There is also an idea that this 'hand' is part of a 'body'. The idea of the 'hand' or the 'table' or the 'body' are not derived from the sensations they all co-exist together. I was then tempted when 'looking' to think that naturally there would be an idea of an 'I' having this experience, that the sense of 'I' is part of some kind of natural hierarchy of mental experience. I discovered that unlike the sensations, body and object constructs which are contingent upon one another there is no 'I' contingent upon them - it is an imposition, a fabrication that does not flow naturally from the experience itself.
With sound there is the same basic quality of the sound itself loud, soft, pitch ... and ideas of hearing objects in the world 'out there'. Again the sound as well as ideas of train or dog etc. are all contingent and co-exist in an amazing 3-dimensional construct of the world! Again when 'looking' closely there is no 'I' concept contingent upon any of this.
It is only when conveying this experience to you, to answer your questions, do I resort to using language and, of course, in this context it makes perfect sense to say I was touching the table, I looked closely and dissected the sensations from ideas about the body, I made this amazing discovery that the idea 'I' is not contingent on the experience itself etc. I'm beginning to see clearly that in the same way that I communicate these ideas to you, there is also an internal monologue or commentary on experience. There is identification with this monologue and, not surprisingly, in that monologue 'I' is used all the time!

